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Temporary Hilary Leichter Socialist Realism Trisha Low Things to Make and Break May-Lan Tan Mean Myriam Gurba The Gift Barbara Browning I’ll Tell You In Person Chloe Caldwell I Love Dick Chris Kraus Problems Jade Sharma Broken Glass Park Alina Bronsky Prostitute Laundry Charlotte Shane Surveys Natasha Stagg Margaret the First Danielle Dutton "I look at the man, his face impatient, eager to suckle at the teat of my vast cheese knowledge. I feel like telling him that every entry level is also an exit level. That all hierarchy is an illusion. That he should follow his heart." -Martha Grover, One More for the People Gift Certificate Animals Emma Jane Unsworth Inside Madeleine Paula Bomer Our Spoons Came From Woolworths Barbara Comyns Pretend I’m Dead Jen Beagin Eve’s Hollywood Eve Babitz The Selected Jenny Zhang Jenny Zhang Painting Their Portraits In Winter Myriam Gurba Thérèse and Isabelle Violette Leduc Lolly Willowes Sylvia Townsend Warner My Body Is a Book of Rules Elissa Washuta Her 37th Year: An Index Suzanne Scanlon You never know what spaces might turn into graves. It felt bad— OK , sickening—when I realized I’d partied on her grave, but you just never know if you’re standing on a spot where someone has been or will be beaten to death. It’s cheesy, but sometimes my concerns about the history of violence taint everything, even Shakespeare. That quote “All the world’s a stage” becomes “All the world’s a grave.” I tossed empty bottles on her grave before it became her grave. I was allowed to escape. I was allowed to walk away from that spot. Sophia was not. Guilt is a ghost. Guilt interrupts narratives. It does so impolitely. Ghosts have no etiquette. What do they need it for? There is no Emily Post for ghosts. Myriam Gurba, Mean Dead Horse Niina Pollari Black Cloud Juliet Escoria Pity the Animal Chelsea Hodson The Wallcreeper Nell Zink My Brilliant Friend Elena Ferrante Scarecrone Melissa Broder Playing the Whore: The Work of Sex Work Melissa Gira Grant How To Get Into the Twin Palms Karolina Waclawiak The Autobiography of Daniel J. Isengart Filip Noterdaeme The Compleat Purge Trisha Low Yokohama Threeway Beth Lisick Notice Heather Lewis "Maybe it will be good to remember the feeling of being alone. I’m always running around telling everyone how important it is for people to be alone for a while, which is weird because the only thing I learned while living alone was that I hate myself." -Adrienne Eisen, Making Scenes No Regrets Dayna Tortoricci The Days of Abandonment Elena Ferrante The Terrible Girls Rebecca Brown After Claude Iris Owens Meaty Samantha Irby Cassandra at the Wedding Dorothy Baker King Kong Theory Virginie Despentes Nevada Imogen Binnie Lee and Elaine Ann Rower Empathy Sarah Schulman Speedboat Renata Adler The Correspondence Artist Barbara Browning I got a pedicure each time I promised myself I’d stop doing heroin—which is to say, I got pedicures that whole summer. Pedicures gave me the false notion I was about to get my shit together. I wasn’t functioning well—my brain cells were spent, and my serotonin was depleted. Sitting despondent in a vinyl chair was as good as it got. Chloe Caldwell, I’ll Tell You In Person Nine Months Paula Bomer I’m Trying To Reach You Barbara Browning Promising Young Women Suzanne Scanlon Maidenhead Tamara Faith Berger Mercury Ariana Reines Loitering With Intent Muriel Spark One More for the People Martha Grover Who Was Changed and Who Was Dead Barbara Comyns Making Scenes Adrienne Eisen Lightning Rods Helen DeWitt the buddhist Dodie Bellamy Sempre Susan Sigrid Nunez "I was thinking: Girls get scared way too often. Girls get stupidly scared. I was not scared. Telling myself not to be scared kind of worked. " -Tamara Faith Berger, Maidenhead Glory Goes and Gets Some Emily Carter Inferno (a poet’s novel) Eileen Myles No More Nice Girls Ellen Willis
"I look at the man, his face impatient, eager to suckle at the teat of my vast cheese knowledge. I feel like telling him that every entry level is also an exit level. That all hierarchy is an illusion. That he should follow his heart." -Martha Grover, One More for the People
You never know what spaces might turn into graves. It felt bad— OK , sickening—when I realized I’d partied on her grave, but you just never know if you’re standing on a spot where someone has been or will be beaten to death. It’s cheesy, but sometimes my concerns about the history of violence taint everything, even Shakespeare. That quote “All the world’s a stage” becomes “All the world’s a grave.” I tossed empty bottles on her grave before it became her grave. I was allowed to escape. I was allowed to walk away from that spot. Sophia was not. Guilt is a ghost. Guilt interrupts narratives. It does so impolitely. Ghosts have no etiquette. What do they need it for? There is no Emily Post for ghosts. Myriam Gurba, Mean
"Maybe it will be good to remember the feeling of being alone. I’m always running around telling everyone how important it is for people to be alone for a while, which is weird because the only thing I learned while living alone was that I hate myself." -Adrienne Eisen, Making Scenes
I got a pedicure each time I promised myself I’d stop doing heroin—which is to say, I got pedicures that whole summer. Pedicures gave me the false notion I was about to get my shit together. I wasn’t functioning well—my brain cells were spent, and my serotonin was depleted. Sitting despondent in a vinyl chair was as good as it got. Chloe Caldwell, I’ll Tell You In Person
"I was thinking: Girls get scared way too often. Girls get stupidly scared. I was not scared. Telling myself not to be scared kind of worked. " -Tamara Faith Berger, Maidenhead