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Temporary Hilary Leichter Socialist Realism Trisha Low Things to Make and Break May-Lan Tan Mean Myriam Gurba The Gift Barbara Browning I’ll Tell You In Person Chloe Caldwell I Love Dick Chris Kraus Problems Jade Sharma Broken Glass Park Alina Bronsky Prostitute Laundry Charlotte Shane Surveys Natasha Stagg Margaret the First Danielle Dutton "Have you ever had your heart broken? It’s something that instills a great sense of dread, and it colours everything that happens afterwards in an endless, linear, slow motion. And I hate linearity. It bores everyone." -Trisha Low, The Compleat Purge Gift Certificate Animals Emma Jane Unsworth Inside Madeleine Paula Bomer Our Spoons Came From Woolworths Barbara Comyns Pretend I’m Dead Jen Beagin Eve’s Hollywood Eve Babitz The Selected Jenny Zhang Jenny Zhang Painting Their Portraits In Winter Myriam Gurba Thérèse and Isabelle Violette Leduc Lolly Willowes Sylvia Townsend Warner My Body Is a Book of Rules Elissa Washuta Her 37th Year: An Index Suzanne Scanlon The first time she told her mother to fuck off, her mother was sitting on the dirty blue velvet couch, reading the newspaper. Polly walked into the living room, excited. Her mother didn’t look up. There was a bottle of beer, open, mostly full, sweating on the table next to her. “Fuck you!” Polly said, clenching and unclenching her fists. Her mother looked up, alarmed, but without missing a beat, she whacked Polly across the face with the newspaper. —Paula Bomer, “Down the Alley” from Inside Madeleine Dead Horse Niina Pollari Black Cloud Juliet Escoria Pity the Animal Chelsea Hodson The Wallcreeper Nell Zink My Brilliant Friend Elena Ferrante Scarecrone Melissa Broder Playing the Whore: The Work of Sex Work Melissa Gira Grant How To Get Into the Twin Palms Karolina Waclawiak The Autobiography of Daniel J. Isengart Filip Noterdaeme The Compleat Purge Trisha Low Yokohama Threeway Beth Lisick Notice Heather Lewis “Isabelle pulled me backwards, she laid me down across the eiderdown, lifted me, held me in her arms: she was releasing me from a world I had never lived in to launch me into one I could not yet inhabit. With her lips she parted mine, moistened my clenched teeth. The fleshiness of her tongue frightened me: the foreign sex did not enter. I waited, withdrawn, contemplative. The lips wandered over my lips: a dusting of petals. My heart was beating too loudly and I wanted to listen to this seal of sweetness, this soft new tracing. Isabelle is kissing me, I tell myself.” Violette Leduc, Thérèse and Isabelle No Regrets Dayna Tortoricci The Days of Abandonment Elena Ferrante The Terrible Girls Rebecca Brown After Claude Iris Owens Meaty Samantha Irby Cassandra at the Wedding Dorothy Baker King Kong Theory Virginie Despentes Nevada Imogen Binnie Lee and Elaine Ann Rower Empathy Sarah Schulman Speedboat Renata Adler The Correspondence Artist Barbara Browning You never know what spaces might turn into graves. It felt bad— OK , sickening—when I realized I’d partied on her grave, but you just never know if you’re standing on a spot where someone has been or will be beaten to death. It’s cheesy, but sometimes my concerns about the history of violence taint everything, even Shakespeare. That quote “All the world’s a stage” becomes “All the world’s a grave.” I tossed empty bottles on her grave before it became her grave. I was allowed to escape. I was allowed to walk away from that spot. Sophia was not. Guilt is a ghost. Guilt interrupts narratives. It does so impolitely. Ghosts have no etiquette. What do they need it for? There is no Emily Post for ghosts. Myriam Gurba, Mean Nine Months Paula Bomer I’m Trying To Reach You Barbara Browning Promising Young Women Suzanne Scanlon Maidenhead Tamara Faith Berger Mercury Ariana Reines Loitering With Intent Muriel Spark One More for the People Martha Grover Who Was Changed and Who Was Dead Barbara Comyns Making Scenes Adrienne Eisen Lightning Rods Helen DeWitt the buddhist Dodie Bellamy Sempre Susan Sigrid Nunez I got a pedicure each time I promised myself I’d stop doing heroin—which is to say, I got pedicures that whole summer. Pedicures gave me the false notion I was about to get my shit together. I wasn’t functioning well—my brain cells were spent, and my serotonin was depleted. Sitting despondent in a vinyl chair was as good as it got. Chloe Caldwell, I’ll Tell You In Person Glory Goes and Gets Some Emily Carter Inferno (a poet’s novel) Eileen Myles No More Nice Girls Ellen Willis
"Have you ever had your heart broken? It’s something that instills a great sense of dread, and it colours everything that happens afterwards in an endless, linear, slow motion. And I hate linearity. It bores everyone." -Trisha Low, The Compleat Purge
The first time she told her mother to fuck off, her mother was sitting on the dirty blue velvet couch, reading the newspaper. Polly walked into the living room, excited. Her mother didn’t look up. There was a bottle of beer, open, mostly full, sweating on the table next to her. “Fuck you!” Polly said, clenching and unclenching her fists. Her mother looked up, alarmed, but without missing a beat, she whacked Polly across the face with the newspaper. —Paula Bomer, “Down the Alley” from Inside Madeleine
“Isabelle pulled me backwards, she laid me down across the eiderdown, lifted me, held me in her arms: she was releasing me from a world I had never lived in to launch me into one I could not yet inhabit. With her lips she parted mine, moistened my clenched teeth. The fleshiness of her tongue frightened me: the foreign sex did not enter. I waited, withdrawn, contemplative. The lips wandered over my lips: a dusting of petals. My heart was beating too loudly and I wanted to listen to this seal of sweetness, this soft new tracing. Isabelle is kissing me, I tell myself.” Violette Leduc, Thérèse and Isabelle
You never know what spaces might turn into graves. It felt bad— OK , sickening—when I realized I’d partied on her grave, but you just never know if you’re standing on a spot where someone has been or will be beaten to death. It’s cheesy, but sometimes my concerns about the history of violence taint everything, even Shakespeare. That quote “All the world’s a stage” becomes “All the world’s a grave.” I tossed empty bottles on her grave before it became her grave. I was allowed to escape. I was allowed to walk away from that spot. Sophia was not. Guilt is a ghost. Guilt interrupts narratives. It does so impolitely. Ghosts have no etiquette. What do they need it for? There is no Emily Post for ghosts. Myriam Gurba, Mean
I got a pedicure each time I promised myself I’d stop doing heroin—which is to say, I got pedicures that whole summer. Pedicures gave me the false notion I was about to get my shit together. I wasn’t functioning well—my brain cells were spent, and my serotonin was depleted. Sitting despondent in a vinyl chair was as good as it got. Chloe Caldwell, I’ll Tell You In Person